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Below the dysfunction and rage, a new generation of authors is writing the stories that will come to define our time, and us. "‘The faults and fault-lines of our political moment offer profound opportunities for literary and critical insight. On accepting the fellowship, I explained: I am delighted and honoured to have been selected as ABR’s Fortieth Birthday Fellow.Īs an ex-pat Australian writer, who has spent the last four years in the United States, and will spend the next four in the Middle East, I am particularly excited at the prospect of working with Peter Rose and the ABR team to tell responsive, international stories. Or you can watch Theo and I in conversation at ANU’s School of Arts & Social Sciences.Īustralian Book Review - Fortieth Birthday Fellowship I recommend you listen to Theo read his magnificent essay before you tune in to our conversation - it’s the first and only time Theo has revisited his work since he wrote it, and it’s a soul-shaking, performance. It was a pleasure and an honour to talk to my dear and talented friend Theo Ell about his prize winning essay in this week’s ABR Podcast. In today’s episode, listen to Ell in conversation with Silcox about the inception of his prize-winning work, the balancing act of writing trauma and place, the historical complexities of Beirut, and more. At the encouragement of his close friend Beejay Silcox, Ell turned his experience into the essay ‘ Façades of Lebanon ’, a harrowing, intimate piece of reportage, and the deserving winner of the 2021 Calibre Essay Prize. Ell and his wife, a diplomat, survived, but were badly shaken. On 4 August 2020, Theodore Ell was living in Beirut, Lebanon, when an explosion erupted at the local port, killing more than 200 people and injuring more than 7,500. Time to restock to the too-read pile! Australian Book Review’s eventful December issue includes Best of the Year picks from 38 of its marvellous contributors. Twin novels of ecstasy: the pain of art, and the art of pain. It’s dissonant, doubt-ridden, grotesque, and entirely sublime. Winkler’s ‘exploded non-fiction novel’ is a bruised and bruising vaudeville, complete with talking goat.
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Ostensibly a biography of the thick-skulled boxer Joe Grim – a fighter most opponents could beat, but none could knock out – Grimmish takes the little that’s known of Grim’s life as an invitation to riff. Grimmish, meanwhile, is a feral, unpinnable creature. De Kerangal revels in the sensuality of artistic mastery hers is a novel of rich pigments and capable hands. Painting Time is a tale of trompe-l’œil artists, painters of 3D trickery. It’s been a bountiful reading year, but I’m still raving about these early favourites.
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In January, I read two magnificent novels back to back: Grimmish (Westbourne Books) by ABR alum, Michael Winkler, and Painting Time (MacLehose Press) by French writer Maylis de Kerangal.